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Woodturning has me fascinated ever since I saw an exhibition presented by the American Association of Woodturners in 1996.  These were stunning works of art that I realized were pushing the creativity of the lathe far beyond the salad bowls and staircase spindles I had associated with woodturning.

I followed up this fascination by taking lessons.  After acquiring some basic skills I began spending more and more time at the lathe and less and less in what was my “day job” as a television documentary producer and author.   Then in 2003, I opted for a new career as a full time wood turner and carver.  In many ways, the two careers are not, as they may seem to be, mutually exclusive.  I have always been fascinated by images and ideas, essential elements for writing, directing and as I have discovered, for woodturning.   As a wood turner I try to combine images with the forms I create on the lathe and then carve into the finished vessel.  My goal is to achieve a synthesis between the once living tree and the curves and movement of the carved vessel it has become.  The grain and texture of the wood add a warmth and vitality that gives a distinct dimension to the finished piece.